Monday, December 20, 2010
Friday, December 17, 2010
Wishbone Ash - Number the Brave
Following the departure of founder member Martin Turner, the remaining members of Wishbone Ash invited respected British bassist/vocalist John Wetton (UK, King Crimson, Roxy Music, Family, Uriah Heep) to join them for the recording of Number the Brave. On paper, this union promised great things. The end result, however, would prove somewhat disappointing in the eyes of many fans - and indeed the band’s new recruit.
Recording for Number the Brave took place during the latter part of 1980 at Criteria Sound Studios in Miami - the scene of many previous Wishbone Ash recording sessions. Additional recording would take place at Surrey Sound in England. Nigel Gray, who had played an enormous part in helping shape the Police’s studio sound, was recruited as producer, while Claire Hamill was invited to contribute backing vocals to the album, following the success of her contribution to Just Testing.
However, it soon became clear that John Wetton was not going to be a direct replacement for Martin Turner. Wetton believed he was joining the band to take over Martin’s duties of bassist and lead vocalist, yet this would not prove to be the reality. Although John Wetton offered several songs to the band, most of these would be rejected as unsuitable for the band’s style. Meanwhile, Wetton was frustrated by Andy Powell and Laurie Wisefield’s decision to take the majority of the lead vocals. In retrospect, the lack of input from John Wetton was, perhaps, detrimental to the overall content of the album. As John says, “I think if I had been allowed to write and sing to the fullest extent of my capabilities, it would have been a really good album. I got the impression they didn’t want anyone to take over from where Martin had left off.”
“Loaded” opened the album and set the blueprint for much of the album, which had a funkier feel than previous Wishbone Ash offerings. “Where is the Love” came next - a workmanlike boogie number. There then followed one of the albums true highlights, the anti-nuclear message “Underground”, which featured some fine guitar picking from Andy Powell, whose lead vocal blended effectively with Claire Hamill’s voice. “Kicks on the Street” was largely forgettable hard rock, while “Open Road” was perhaps the band’s msot successful venture into funk-rock territory.
“Get Ready” was a cover of the Smokey Robinson hit and, although not fairing too well with the bands purist fans, was a more than adaquate cover and a valid - if commercially unsuccessful - attempt at singles success. “That’s That” was John Wetton’s sole songwriting and lead vocal contribution to the album, while “Rainstorm” and “Rollercoaster” both featured Laurie Wisefield on lead vocal. The latter was fairly forgettable funk-rock, but “Rainstorm” had a strong melody, though was marred by Laurie’s weak vocal work. Album closer “Number the Brave” was another of this albums triumphs, perfectly mixing the Ash sound of old with a modern sound and direction for the eighties.
Number the Brave peaked at No.61 on the UK chart and would be the band’s final MCA album. Before the album’s release John Wetton and Wishbone Ash had parted company, Wetton going on to achieve enormous success with Asia, establishing himself as one of the UK’s most distinctive rock vocalists, while Wishbone recruited former Uriah Heep/David Bowie bassist Trevor Bolder to perform on the Number the Brave tour
.
.
Line-up
Andy Powell (guitar/vocals)
Laurie Wisefield (guitar/vocals)
Steve Upton (drums)
John Wetton (bass/vocals/keyboards)
Claire Hamill (backing vocals)
TRACKS
1) Loaded
2) Where Is The Love
3) Underground
4) Kicks On The Street
5) Open Road
6) Get Ready
7) Rainstorm
8) That's That
9) Roller Coaster
10) Number The Brave
Andy Powell (guitar/vocals)
Laurie Wisefield (guitar/vocals)
Steve Upton (drums)
John Wetton (bass/vocals/keyboards)
Claire Hamill (backing vocals)
TRACKS
1) Loaded
2) Where Is The Love
3) Underground
4) Kicks On The Street
5) Open Road
6) Get Ready
7) Rainstorm
8) That's That
9) Roller Coaster
10) Number The Brave
John Wetton
Thursday, December 2, 2010
Denny Ball - Various Recordings
A brief history of Denny ball showing his connections to Heep
1972
Denny first meets the guys when playing bass for THE LONG JOHN BALDRY GROUP during Heep's U.S. tour during July/Aug 1972
1975
Denny plays Bass on David Byron's "Take No Prisoners" album also receiving writing credits on two of the songs, namely Steamin' Along and Roller Coaster
1976
Almost Joins Uriah Heep
It is rumerd that in 1976 Denny rehearsed with the band alongside David Coverdale for the then Vacant Vocals and Bass spots. But it was not to be as of course John Lawton and Trevor Bolder ended up playing these roles but this is what it could have been
David Coverdale (vocals)
Mick Box (guitar)
Denny Ball (bass)
Ken Hensley (keyboards, guitar)
Lee Kerslake (drums)
Mick Box (guitar)
Denny Ball (bass)
Ken Hensley (keyboards, guitar)
Lee Kerslake (drums)
197?
Delta
After a break from the business Denny was asked to play on a recording session. He liked the band (especially the girl member) and they became Delta.
Derek Damon (vocals)
Jude Allen (keyboards, vocals)
Tony Barton (guitar)
Denny Ball (bass)
Ike Ertzmonite (drums)
The band made some recordings, which included a speculative session with David Byron (of Uriah Heep) producing, but none of it was ever released.
1979
Denny And The Jets
Denny and The jets was a spin off from the Delta Recording sessions and 1 single was released on State Records again Produced by David Byron
The single went out on State Records in 1979. It was given some healthy air time on Radio 1.
as well as featuring various members of Delta, Gaby Byron also provided backing vocals
The single went out on State Records in 1979. It was given some healthy air time on Radio 1.
as well as featuring various members of Delta, Gaby Byron also provided backing vocals
1980
Shotgun
Denny plays on 2 of the songs on Ken Hensley's Solo album Free Spirit "Woman" and "Inside The Mystery" then joins the short lived "Shotgun"
2000
Contributes to "Heepsteria - a tribute to Uriah Heep" by recording a Superb (in my opinion) version of "Firefly"
also in this year he plays several gigs as "Bedlam" with one Russell Gilbrook" taking the drum stool from the late Cozy Powel
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