Showing posts with label John Wetton. Show all posts
Showing posts with label John Wetton. Show all posts

Sunday, September 18, 2011

Qango - 2000 - Live in the hood

TRACKLIST :

01 - Time Again (originally by Asia)
02 - Sole Survivor (originally by Asia)
03 - Bitches Crystal (originally by ELP)
04 - Dave Kilminster Solo
05 - All Along the Watchtower
06 - Last One Home
07 - John Young Solo
08 - Hoedown (version originally by ELP)
09 - Fanfare for the Common Man (version originally by ELP)
10 - Heat of the Moment (originally by Asia)

QANGO BIOGRAPHY (from Wikipedia)

"QANGO was a short-lived progressive rock band, a spin-off from Asia. In 1999, an attempt was made at a partial reunion of the progressive rock supergroup Asia involving John WETTON (bass, vocals), Carl PALMER (drums) and Geoff DOWNES (keys), with David KILMINSTER to be on guitar. However, Downes withdrew from plans, choosing to stick with John PAYNE in their Asia line-up. Wetton and Palmer instead formed Qango with Kilminster and John Young on keys (who had briefly replaced Downes in Asia in 1989). The band's live set was based on songs by Asia and Palmer's former band Emerson Lake and Palmer. The band did not attract the same commercial interest as an Asia reunion. Two shows were planned for November 1999, but were cancelled as Wetton required a wrist operation. Instead, the band played five UK dates in February 2000 (including a London show on 4 February when Keith Emerson jammed with the band) and six in April 2000. Subsequent touring plans and ideas to record a studio album were abandoned, with Wetton and Palmer soon returning to their solo activities. The band's second show (3 February 2000) was recorded for a live release, Live in the Hood, the band's only official output"

QANGO are :

Dave Kilminster - acoustic & electric guitars, backing vocals
John Young - keyboards, backing vocals
John Wetton - lead vocals, bass, bass pedals, acoustic guitar
Carl Palmer - drums, percussion

Monday, March 14, 2011

John Wetton- 1980- Caught in the Crossfire

This Cover is a collage made by me with five covers of different editions of this very good album, personally my favourite in the Wetton's solo discography (but in the file you'll find all five versions of the cover, so you can choose what cover you want).
Very good album, in some case quite hard rock if compared to Asia's sound of only two years later (i think that, for exemple, Paper Talk could be , for me, a perfect song for Uriah Heep during their Goalby era, and the same is for the song after, Get Away). But all vocal harmonies in this album remind to me the Good Old UH (probably is a mental problem of mine).
For this album, really a cast of superstars of rock, see you the band's line up down in this post...
TRACKLIST:
01- Turn On The Radio 3:47
02- Baby Come Back 3:24
03- Whenn Will You Realise 4:34
04- Cold Is The Night 5:22
05- Paper Talk 4:00
06- Get Away 4:30
07- Caught In The Crossfire 5:03
08- Get What You Want 3:18
09- I'll Be There 3:33
10- Woman 4:33

LINE UP:

John Wetton- Guitars, Bass, Keyboards, Vocals
Simon Kirke- Drums
Martrin Barre- Guitars
Malcolm Duncan- Saxophone
Phil Manzanera- Guitar




Enjoy and to next post
Roby

Monday, March 30, 2009

UK - UK 1978

























In some ways UK represented both the last hurrah of progressive music’s golden age, and the standard by which all other supergroups that followed would be judged. The impeccable technical precision, complex yet modern arrangements, and dynamic live performances made them an overnight legend whose reputation has far outlasted their brief existence. No other supergroup, progressive or otherwise, has had such an immediate and lasting impact.

The band was formed in 1978 by bassist John Wetton and drummer Bill Bruford, both fresh from the USA tour (and accompanying live album) of KING CRIMSON. Keyboardist & violinist Eddie Jobson had also played on the KC tour and album, but was better known for his brilliant work on a string of ROXY MUSIC albums, as well as their seventies live album, “Viva!”. Wetton briefly secured guitar wiz-kid Eric Johnson for the band as well, but Johnson’s own project (the “Seven Wonders” solo album) and the legal wranglings that were accompanying it would cause Johnson to quickly withdraw and be replaced by another guitar virtuoso, Allan Holdsworth, who had worked with SOFT MACHINE and GONG, in addition to his solo work before joining UK. This was the first in what would become a series of lineup changes before the band would disband for good less than two years later.

The star-studded lineup had no trouble securing a record deal, and Polydor released their self-titled debut on the E.G. label that same year, which is often credited as the first successful rock supergroup studio release ever. The music is characterized by layered synthesizers, jazz-inspired guitars and bass, and in general by exceptionally high-quality musicianship. The band followed the release with a lengthy promotional tour.

Bruford would release a couple of albums under the BRUFORD BAND name following this tour, and would eventually return to the KING CRIMSON lineup for their “Discipline” release in 1981. Holdsworth also appeared on the BRUFORD BAND releases, and would later issue a series of solo albums in addition to a wide range of session appearances. Terry Bozzio (FRANK ZAPPA, GROUP 87) would replace Bruford, and the trio would release the band’s second and final studio album a year later (“Danger Money”). Without a replacement for Holdsworth, this album suffered due to overcompensation on violin and keyboards, and the band disbanded following after the Japanese leg of the promotional tour. A live album of that tour would be released shortly after, but the band was finished. There were rumors of a reunion in the nineties, but despite the fact that most of the members would work together on occasion following the band’s demise, no UK collaboration would occur. Wetton would go on to commercial success with ASIA, and Bozzio would likewise strike it rich with MISSING PERSONS.

UK generated a brilliant flash of publicity when they formed at the end of the progressive music decade. But the fickle and rapidly changing tastes of the public, record label pressure to commercialize their sound, and other more lucrative opportunities all combined to bring about a rapid end to a fascinating lineup. GTR, ASIA, and many others would travel down the supergroup path in UK’s wake, but none would do it with more style.

UK deserve a place in the Archives for the impressive resumes of its various members, the essentially classic self-titled debut they issued in 1978, and the influence they had over an entire generation of top-notch progressive and rock musicians by piloting the concept of a super group of musicians being brought together for the sole purpose of capitalizing on each other’s sounds.

reviewed by Bob Moore


Track listing

1. "In the Dead of Night" (Jobson/Wetton) 5:36
2. "By the Light of Day" (Jobson/Wetton) 4:40
3. "Presto Vivace and Reprise" (Jobson/Wetton) 3:06
4. "Thirty Years" (Wetton/Jobson/Bruford) 8:02
5. "Alaska" (Jobson) 4:38
6. "Time to Kill" (Jobson/Wetton/Bruford) 5:00
7. "Nevermore" (Holdsworth/Jobson/Wetton) 8:09
8. "Mental Medication" (Holdsworth/Bruford/Jobson) 7:24

Note: The first three tracks belong to a suite entitled "In the Dead of Night."

Personnel

* Eddie Jobson: Electric Violin, keyboards and Electronics
* John Wetton: Voice and bass
* Allan Holdsworth: guitars
* Bill Bruford: Kit drums and percussion

Link http://www.mediafire.com/?xgdedowmaym